We got kind of into a rhythm at 'Parks' because there were so many characters that we had an A story, a B story, and a C story just about every episode. So by the middle of that show's run, we always had three stories, and it worked really well.

On 'Master of None,' the majority of the episodes were just one story, and that was by design because we really wanted to focus in on the character of Dev and get the audience in his head.

The point about a great story is that it's got a beginning, a middle and end.

I'm so proud of this show and I'm really stoked that fans were so enthusiastic about the show so quickly. I mean, I got recognized for 'Arrow' at the airport when I was headed to Vancouver to shoot the second episode. That was kind of crazy.

I'm just a public-schoolboy. I've got a degree. I'm from a middle-class family in Devon. I've got no story.

Well, I had an immense respect for Cirque du Soleil when I first say them in the '80s on a television show and just thought, you know, this group is really reinventing the circus, as you know. Because there wasn't three rings. There were no animals.