We managed to write a novel together instead.

The mere fact of my novel being filmed means very little to me. For a long while after 'The Crimson Petal's publication in 2002, it looked as though Hollywood was going to adapt it.

Pathos and poignancy are, to me, tactics and techniques; in my work as a writer, I fetch them from my toolbox and use them as required.

I would love to have faith. When you take God out of the universe, there is no-one taking care us - we are just parcels of meat, collections of atoms - we have a little flowering on Earth, and then we're gone.

When we ask bureaucrats to identify who is responsible for fixing anything, they reassure us that there are 'procedures in place.'

Most books are surplus to the world's requirements, and I am going to sound very conceited here, but I am trying to write books that aren't just using up trees.