We started working on this exhibit long before they had a release date -- before they started shooting the movie, even.

Mick and Dave, they've been on the movie a year and a half. Before we even started shooting they were on it. Through the dailies, Dave was on the set ... He'd show [the cut footage] to Mick and what evolved was lines like 'There's a sadness grinding in your bones' that I don't think you write in 10 minutes,

The title is so good, you don't have to make the movie; just release the title.

It was like shooting a movie inside a museum.

It was automatic. We were always on the same wavelength even before we started shooting.

I knew they were going to put a lot of pressure on me. I started shooting more jumpers.