Well, it's kind of what I do, to be honest with you,

I've been on the other side of the table many times, trying to get people to be sympathetic to projects, and I've been the victim of that kind of intense kindness masking extreme stupidity.

This is the launch of the 'Doctor Strange' film interpretation of - in my view - a classic, which has been interpreted many times by other graphic artists, and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.

I spent a lot of time thinking that I was some kind of foundling, that I had been a changeling, that I had been found under a bush somewhere, and that I couldn't possibly be kin - but the more I live, the more I feel absolutely like I come out of my family. I'm a sort of strange natural progression.

I was a professional gambler. When I lived in London, there were a couple of years when I didn't really earn money doing anything else. I mean, I did other things: like, I made work, and I was working with Derek Jarman at the time, but the way I made money was putting money on horses.

I do like not knowing where I'm going, wandering in strange woods, whistling and following bread crumbs.