When a sketch comes into this three-dimensional form and everybody contributes, it's really fantastic.

When I say art influences me, which it does, it's not at all in a literal form. You go and see exhibitions or collections or meet an artist. It's all a compilation. Every moment, at all times, all this information. Then all this information disappears, and it shows up later in the process.

Brazil is not what you see but what you feel. Once you spend time here - a week, two weeks - you get in the vibe. It's really intoxicating.

I'm so not interested in gossip. It just gives me the creeps. I love the work; I love what I do. If somebody sends me an interview that has any connotation of something that's not interesting or genuine, I'm not interested. I really detach myself from it.

[In]the too solid three-dimensional city, I could never feel myself as anything but spectral, disintegrating, pointless, fluid.

I feel like a three-dimensional girl in a two-dimensional world.