When I'm sitting at my drafting table in my studio, I could really be anywhere.

I really love New York, but I have to say, the humidity during the summer is a nightmare for a cartoonist. Not only am I sweating in my studio, my bristol board is curling up, the drafting tape is peeling off the board, my Rapidograph pens bleed the minute I put them to paper... it's a disaster.

'Peanuts' is a life-long influence, going back to before I could even read.

I would honestly be elated if I could wave a magic wand and eradicate my back catalog and then have a fresh crack at some of those ideas.

I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.

It's a strange thing to be a so-called alternative cartoonist, because in the early part of my career, I was really tethered to the superhero world.