When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.

I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do.

I've always moved between media. Some ideas just work better in some media than others.

I think one of the bigger lessons the Internet has taught us is that 'niche' or 'subculture' are a lot bigger than anyone ever thought.

It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.

Comics is still my first love. But I always did other kinds of writing, too, so I think of myself as a writer first.