When you catch other people with a sound like yours, that's when you know you did something.

What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.

I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.

I really like working with unique and unknown artists, as they usually bring something fresh to a song.

The opinion which other people have of you is their problem, not yours.

I always take care to have interesting chord progressions, because you can have the best sound design in the club, and you'll kill it in the club, but in five years, kids will have better sound design. But if your music is good, you'll always be able to listen to it, even in 20 or 50 years.