Whistle Down the Wind.

What strikes me is that there's a very fine line between success and failure. Just one ingredient can make the difference.

I'm a composer, and therefore I know when I've written a good tune. When you've written a good song is when you know that the lyric is completely coalesced with the song.

'The Phantom of the Opera' is the biggest thing I've ever done, bigger even than 'Cats' which, in itself, I never thought we'd top.

'Phantom of the Opera' started in my little 100-seater converted church in Britain with a stage where we did what we did. But it was the score itself was what made it.

'The Phantom of the Opera' is about love. It's as simple as that.