You can't talk about heartbreak to a kid.

I want to point out to adults that there is a world of good material available to you now in comic form - in this medium - and learn to give it your support because the more you support it, the better the material will be as it comes out.

I've spent my whole life working in a medium that was regarded with contempt largely because of historical reasons.

I believe that — in spite of this courageous, not comic but tragic book by Will Eisner — the story is hardly over. Yet it is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.

Before World War II, I was living a very cloistered existence, as most cartoonists do. The work I was pouring out did not come from any real, personal life experience; this was all the residue of the accumulation of Rafael Sabatini, O. Henry, all the short-story writers that I'd been reading.

The term "comics" long ago became obsolete and inaccurate. It merely defined the content of the early joke-based comical strips. "Sequential Art" is a more accurate description of the form. I first suggested it because I believed something needed to be done to correct the feeling of inferiority by artists and writers in this field.