You don't have much of a life.

I started doing this style late summer of 2005, after deciding that I loved to paint outside, and that by the time I'd figured out a good composition and color world, the light would have changed completely. The solution? Paint in monochrome. The basic palate tends to be a warm white, a cool white, unbleached titanium, Naples yellow, cobalt or ultramarine blue, transparent red oxide and viridian.

If they decide not to operate the airfield, then we (only) wasted a lot of paper.

But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled.

But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.

Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.