You have to accept the fact that sometimes you are the pigeon, and sometimes you are the statue.

Laying tracks gives you freedom without being too obvious.

Some colors are very difficult to render, and you must compensate to get the color you want on the screen.

You make a film to distract people, to interest them, perhaps to make them think, perhaps to help them be a little less naive, a little better than they were.

The relationship between critic and writer is similar to the one between the pigeon and the statue.

My father wanted me to be a pharmacist like himself. He had been a doctor, but he no longer believed in medicine; so he became a pharmacist, but he believed in that hardly more.