You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.

While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.

If you learn the craft, you can make a movie and get by with tricks.

My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.

People have given their lives to this industry to make movies compelling.

As a stunt guy, you become a mini-director. You're talking to actors about performance.