Younger people are discovering my work, even though my reggae is not like theirs.

Children are not children. They are just younger people.

I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time.

It's my experience that the fluidity of sexuality with younger people is more accepted.

There are a lot more companies with a lot younger people. It is just like 23-year-olds are starting companies, and they are scaling really quickly.

I've been criticised for writing in too complex a manner for younger people.