Artists are expected to fit into fraudulent categories.

Artists themselves are not confined, but their output is.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.

Visiting a museum is a matter of going from void to void.