Artists themselves are not confined, but their output is.

Artists are expected to fit into fraudulent categories.

There's a disconnect between these surveys and the industrial output figures themselves. It may be that things were down for so long in manufacturing that any improvement looks strong in the eyes of the manufacturers, but the level of output remains rather low.

All artists are equal when they are themselves.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.