Drama is drama, and it's really... if it's something small, you put a magnifying glass up to it; if it's something big, you use a wide lens.

My respect for animators and animation directors has gone way, way up and it is just not something you can phone in.

If you imagine yourself as a craftsman at ILM, you spend your days tumbling buses and animating shards of glass. You're doing a lot of visual effects work.

This is under such a big magnifying glass, and everything is heightened, ... There are other times that I've been hot but it's shoved under the table.

I get naturally uncomfortable when I'm put under a magnifying glass.

This is the story, this is your character, I have the sense of the landscape, I have the sense of the scene, I have all that stuff. But I'm also looking for something else to happen, an accident or something. You're focused on the story you intend to tell and then you have to have a peripheral net out to catch these accidents.