I realized you always have to go back to the roots. My vibe for this album was basically here, Brooklyn, and Jersey.

I sequenced the album like a radio station. Around midday, you'll hear more of the commercial hip-hop stuff. When the nighttime comes, you'll hear more of the depth of the records, when the beat stops and we get into the culture and the conscious vibe and the reggae.

Coming from Haiti and growing up in Brooklyn, there's a lot of European influence when I get dressed up. I wear a lot of fitted suits, elegant cuts; I think it's cool to mash up a lot of different looks.

When I think about the biggest studios in New York, they're owned by people that are not musicians or artists, and artists come in and spend their money there, and they'd rather do that, as opposed to getting the headache. So they pay someone else to get the headache.

I lived in the projects and the ghetto, and turned the negative into a positive.

At the end of the day, just know that God made you, so you can be your own individual, and don't let people give you that peer pressure.