I see a really good tag on a building, a man passed out in the middle of the street, a couple hugging, a cop arresting a panhandler. I'm interested in how all these things are happening in one block.

As soon as street art got popular, I was just like, 'I'm out of here.'

When I see people on the street, I look at how they walk. It's like a signature, a fingerprint.

I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.

I see it as a responsibility of mine to teach others.

I see no reason to have my shirts ironed. It's irrational.