I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.

I worked a little as a messenger on a bicycle and then decided to study photography and film.

My work is not so much a direct commentary as it is an open-ended observation of the absurdities around us.

I look at life as a one-time opportunity, and you have to take pleasure in each moment, even if it is very problematic.

I have lived all my life as part of an ethnic conflict.

Consider the bloody history of Europe: there was a great aspiration for high culture, yet this very same culture was shaped by brutality and barbarism.