My work is not so much a direct commentary as it is an open-ended observation of the absurdities around us.

I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.

I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.

I look at life as a one-time opportunity, and you have to take pleasure in each moment, even if it is very problematic.

I have lived all my life as part of an ethnic conflict.

Consider the bloody history of Europe: there was a great aspiration for high culture, yet this very same culture was shaped by brutality and barbarism.