The piece is predicated on walking and moving, anticipation and reflection, through these various pieces and through the museum as a whole.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease.

I think different people have different problems and different relations to the exhibition of their work.