They're long, athletic and they create chaos on the defensive end.

Art is the triumph over chaos.

[Recorded in 2004 at Chaos and Order Basscamp Studios during Cena's rare breaks from the ring, YOU CAN'T SEE ME features 17 original tracks. Paying tribute to the classic two-man rhyming crews of the past, Cena and Tha Trademarc (Marc Predka) nimbly trade verses throughout the album.] You almost never hear a rap crew today working like EPMD or 3rd Bass, ... I wanted to bring that style back a little and get away from one MC up there doing his thing. Working this way let us attack a song from different directions and create a more dynamic flow.

We played like it was an early-morning game, which can't happen. We need to improve in some non-basketball areas. I want to see more drive, more heart from my guys. If we can play with more passion, we'll be just fine.

The mark of a good musical is songs that leave the audience humming as they leave the theater, and this certainly has that.

Higgins is pompous, a braggart, egocentric. He makes a clear statement at the beginning that he stands alone, he's independent, he doesn't need anybody. What he doesn't count on is how attached he is going to be to her (Doolittle). That's what appeals to the audience — seeing this guy who is a pompous ass really humiliate himself.