You just bring the camera up to the animal's eye, a controller analyzes and captures a picture, which is a unique identifier.

It ain't the picture and it ain't the camera - it's the operator.

It’s the person behind the camera and not the camera, what takes the pictures.

What captures the imagination is that dwarfing might have occurred in humans, who often buffer themselves from natural selection through cultural means such as tool production and fire-making, both evident at [the fossil site].

You have to communicate on a much greater scale, ... With a camera, you can use the flick of an eye. On stage, a lot of other things are happening that can pull focus or energy. You're always thinking the same way, but you have to amplify your thoughts with the volume of your speech and the ways you use your whole body to communicate what you're feeling. It's a little bit different from film.

The eyes are the doors to our perception, and the camera is our window.